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	<title>Comments on: Uncanny Express</title>
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		<title>By: Matthew Murray</title>
		<link>http://ryan.freebern.org/2004/11/11/uncanny-express/comment-page-1#comment-175</link>
		<dc:creator>Matthew Murray</dc:creator>
		<pubDate>Thu, 11 Nov 2004 20:29:23 +0000</pubDate>
		<guid isPermaLink="false">http://ryan.freebern.org/2004/11/11/uncanny-express#comment-175</guid>
		<description>Wow, I&#039;m really glad it&#039;s not just me!  I haven&#039;t seen the movie, and I&#039;ve been pretty good about avoiding most of its reviews and publicity, but it&#039;s made queasy ever since I first saw the trailer.  (Not that I have the slightest idea when THAT was, since I&#039;ve seen a total of three movies this year, and that&#039;s not an exaggeration.)  It just looks really ugly and uninviting to me; I don&#039;t care what the story is about.

But, then again, I don&#039;t get why anyone would want to do animation like that anyway.  What&#039;s really the point of doing animation that close to real life anyway?  Past a certain point, doesn&#039;t it cost about as much to just get actual actors (if not name actors) in there to do the roles?  Although I suppose big-name actors can be paid less for just using their voices, it still seems weird to me.  If I&#039;m seeing an animated film, I want it to be animated, not live action; I could (theoretically) see any of dozens or hundreds of movies every week/month/year like that.  I find the quirkiness of something like The Incredibles far more visually interesting than something like The Polar Express.

Of course, the problem with animation of any sort is variety--not all animated movies can (or SHOULD) look alike.  The trick, I would think, is finding exactly the right style for the story you&#039;re trying to tell.  What&#039;s done for The Incredibles, for example, couldn&#039;t remotely work with The Polar Express.  But I can&#039;t believe that no one was capable of finding SOMETHING that would work better than what they finally chose.  I can&#039;t even bear to look at it in commericals, so I certainly can&#039;t imagine how bad 90-120 minutes of it would be in a theater.</description>
		<content:encoded><![CDATA[<p>Wow, I&#8217;m really glad it&#8217;s not just me!  I haven&#8217;t seen the movie, and I&#8217;ve been pretty good about avoiding most of its reviews and publicity, but it&#8217;s made queasy ever since I first saw the trailer.  (Not that I have the slightest idea when THAT was, since I&#8217;ve seen a total of three movies this year, and that&#8217;s not an exaggeration.)  It just looks really ugly and uninviting to me; I don&#8217;t care what the story is about.</p>
<p>But, then again, I don&#8217;t get why anyone would want to do animation like that anyway.  What&#8217;s really the point of doing animation that close to real life anyway?  Past a certain point, doesn&#8217;t it cost about as much to just get actual actors (if not name actors) in there to do the roles?  Although I suppose big-name actors can be paid less for just using their voices, it still seems weird to me.  If I&#8217;m seeing an animated film, I want it to be animated, not live action; I could (theoretically) see any of dozens or hundreds of movies every week/month/year like that.  I find the quirkiness of something like The Incredibles far more visually interesting than something like The Polar Express.</p>
<p>Of course, the problem with animation of any sort is variety&#8211;not all animated movies can (or SHOULD) look alike.  The trick, I would think, is finding exactly the right style for the story you&#8217;re trying to tell.  What&#8217;s done for The Incredibles, for example, couldn&#8217;t remotely work with The Polar Express.  But I can&#8217;t believe that no one was capable of finding SOMETHING that would work better than what they finally chose.  I can&#8217;t even bear to look at it in commericals, so I certainly can&#8217;t imagine how bad 90-120 minutes of it would be in a theater.</p>
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